Packet K: Bonus 11
This composer coined the term “transcription” to refer to faithful adaptations of existing pieces and “paraphrase” to refer to more liberal interpretations. For 10 points each:
[10m] What composer created a difficult piano transcription of Beethoven’s complete symphonies? This composer used a high ostinato D-sharp throughout an étude inspired by a B minor violin concerto.
ANSWER: Franz Liszt [or Franz Ritter von Liszt; or Liszt Ferenc] (The étude is “La Campanella.”)
[10e] Liszt adapted several folk songs, as well as some classical compositions he mistook for folk songs, in a set of rhapsodies titled for this country.
ANSWER: Hungary [or Magyarország; accept Hungarian Rhapsodies]
[10h] This Liszt piece is based on his song “O lieb, so lang du lieben kannst” (“oh LEEB, zo LONG doo LEEB-in KAHNST”). This piece begins Poco Allegro, con affetto in 6/4 time with the right hand playing arch-shaped A-flat major arpeggios.
ANSWER: Liebestraum (“LEE-bess-trowm”) No. 3 [or Love-dream No. 3; or Dream of Love No. 3; prompt on Liebesträume (“LEE-bess-troy-muh”) or Love-Dreams or Dreams of Love]
<FW, Classical Music> | Packet K - UCF A, Notre Dame B, Durham A, Michigan State A, Swarthmore A, Cambridge B
| Heard | PPB | E % | M % | H % |
|---|---|---|---|---|
| 60 | 17.00 | 90% | 57% | 23% |
Conversion
Summary
| Tournament | Edition | Match | Heard | PPB | E % | M % | H % |
|---|---|---|---|---|---|---|---|
| California (South) | Main Site | ✓ | 4 | 25.00 | 75% | 100% | 75% |
| Canada | Main Site | ✓ | 12 | 12.50 | 75% | 42% | 8% |
| Great Lakes | Main Site | ✓ | 4 | 17.50 | 100% | 25% | 50% |
| Lower Mid-Atlantic | Main Site | ✓ | 9 | 18.89 | 100% | 67% | 22% |
| Northeast | Main Site | ✓ | 6 | 21.67 | 100% | 67% | 50% |
| Overflow | Main Site | ✓ | 3 | 13.33 | 100% | 33% | 0% |
| Southeast | Main Site | ✓ | 8 | 12.50 | 88% | 25% | 13% |
| UK | Main Site | ✓ | 6 | 18.33 | 100% | 67% | 17% |
| Upper Mid-Atlantic | Main Site | ✓ | 8 | 18.75 | 88% | 88% | 13% |